“Get On Up” – Legendary Moments and Legendary Musicians from James Brown’s Career

The James Brown biopic “Get On Up” is not only a fine movie, it relates many fascinating moments from the career of The Godfather of Soul and reminds us of incredible musicians from his band.  The movie was produced by Mick Jagger, directed by Tate Taylor (who’s credits include “The Help”), and features a great performance by Chadwick Boseman who also played Jackie Robinson in the 2013 film “42”.

One entertaining moment recreated in the film is the appearance of James Brown and the Famous Flames in the 1965 Frankie Avalon movie “Ski Party”. “I Got You (I Feel Good)” was the highest charting single of Brown’s career.

The film also recreates Brown’s performance at the Teenage Awards Music International (TAMI) Show in 1964. Here is Brown performing “Please, Please, Please”, his first major release from 1956. The Rolling Stones had to follow this performance as the closing act at the TAMI Show.

Among the musicians from Brown’s band were sax player Maceo Parker, trombonist Fred Wesley, and bassist Bootsy Collins. Parker has had a long and varied musical career, recording 11 solo albums and playing with Parliament Funkadelic, Prince and dozens of other top rock, soul and jazz artists. In this video, after a couple of minutes of band intros Parker brings the funk (and that’s Fred Wesley, a man with his own titanic musical career, on trombone).

Bootsy Collins’ stint with Brown was brief, but came at the time of Brown’s turn from soul to funk. Collins joined Parker and Wesley as members of Parliament Funkadelic in the 1970’s and became a key member of the band. Here’s a clip of Bootsy, all decked out P-funk style, on his tune “Stretchin’ Out” with David Sanborn jumping in on sax.

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YouTube Just Got Even Better with Music Vault

Yesterday, Music Vault began the process of uploading thousands of concert videos to YouTube.  Search for “Music Vault” on YouTube to see a link to the new channel. Thank you Bill Sagan!

[ Dear Readers, we’ve noticed that three of the links on this post have gone dead.  In fact, for reasons unknown to us, it is hard to search the offerings of the Music Vault channel on YouTube.  We’ll update you if we figure out why.  In the meantime, while the Music Vault channel is still worth checking out, it is hard to search.  HarryDJ ]

Music Vault, which has its own website that launched only a couple of months ago, is part of Sagan’s on-line music empire that includes the subscription concert audio archives of Concert Vault, rock & roll memorabilia website Wolfgang’s Vault, indie music site Daytrotter, and on-line publication Paste Magazine. Learn a bit more about how Sagan got started in our earlier post.

While the Music Vault collection is heavy on classic rock, it also includes new music and fabulous jazz performances. Here is a sample to whet your appetite.

Ray Charles covering Paul Simon.

U2 covering Bob Dylan.

Louie Armstrong performing a song he recorded in 1949 that Fats Domino would later cover.

And it doesn’t get any more indie than Rubblebucket (get past her funny hat, this is a pretty interesting band)!

Going Way Back With That Eminent Hipster, Donald Fagen

Just in time for the recent holidays, Donald Fagen published his memoir “Eminent Hipsters”.   The book’s first chapter introduces us to one of his earliest musical influences, The Boswell Sisters.   Fagen lauds them saying, “…when I became familiar with the early work of Connie and her two sisters, I discovered that the Boswells had created a body of work rivaling that of Duke Ellington”.  High praise to say the least.

One Boswells song that Fagen discusses is “Heebie Jeebies”, a tune originally recorded by Louis Armstrong and His Hot Five in 1926 and covered by The Boswell Sisters in 1929.   Below are the original by Armstrong and the Boswells’ version, with their tight harmonies and brisk rhythms. By the way, while of questionable historical accuracy, the Armstrong version is sometimes cited as the first scat singing on record (it comes at about 1:50).

Lest you worry that Fagen’s effusive tribute to The Boswell Sisters evidences any lack of respect for Duke Ellington, Steely Dan’s third album “Pretzel Logic” included a cover of Ellington’s first record to make the charts “East St. Louis Toodle-Oo”. Here is Ellington’s original from 1927 featuring the song’s co-writer, trumpeter Bubber Miley, and Steely Dan’s 1974 cover with guitar wizard Jeff Baxter’s imitation of a muted trumpet.

And here’s one more nod by Fagen to the Duke. Fagen’s most recent solo album, 2012’s “Sunken Condos”, featured the track “Weather in My Head”. When Fagen played the tune live on “Late Night with David Letterman”, what was that photo on the front of his electric piano? None other than the Duke and his orchestra!

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Backup Singers Take 20 Giant Steps Forward

Over the past few months the documentary “20 Steps From Stardom” has been showing up in limited release.  Directed by Morgan Neville, an Emmy winning and Grammy nominated creator of music documentaries, the film debuted at the Sundance Film Festival in January 2013 and tells the stories of women whose vocals have been so much more than “backup” for decades of hits.  This clip from SimplyShowbiz.com begins with an interview of Merry Clayton telling the improbable story of one of the most memorable pieces of backup work ever.

While these backup singers remain largely unknown, big stars cover their iconic vocal tracks. Here are a couple working to capture the magic that Merry Clayton created. The first clip features Alicia Keys at the New York Live Earth concert in 2007 (this is a great performance if you’ve never seen it), and the second features a Lady Gaga cameo at an early date on the Stones’ 50 & Counting tour.

And, of course, we can’t end without hearing the original in all its glory.

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Dave Grohl Documents the History of Sound City

Dave Grohl’s 2013 plunge into documentary filmmaking “Sound City” mines the history of the recently shuttered studio where Nirvana’s “Nevermind” was recorded.  Grohl weaves many story lines together in his film, from the people who built and ran Sound City, to the technology that made the studio famous and the later technology that doomed it, to the string of major artists that passed through its unassuming front door.  He concludes with a strong statement about the virtues of musicians hunkering down in a studio till inspiration and perspiration get it just right, and shows us what he means by releasing “Sound City 606”.

Check out the trailer for “Sound City”, then listen to one of the first songs released from the CD featuring Paul McCartney rocking as hard as he has since “Helter Skelter”.

Here’s a link to page on the Sound City Studio website that lists every album recorded there: Sound City Recordings.  It is an amazing list,  and the very first album ever recorded there was Spirit’s masterpiece “Twelve Dreams of Dr. Sardonicus”.  If you’re not familiar with that album or have forgotten what a tour de force it was, listen to “Nature’s Way” and “Mr. Skin”.

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