A few weeks ago jazz vibes player Gary Burton announced he was staging the final tour of his 50-plus-year career, and this past Friday he played his last show at the Jazz Kitchen in Indianapolis. Not many artists have devoted themselves to this unusual instrument, and I wonder if anyone will ever again play it with Burton’s virtuosity.
According to a feature by NPR, the first use of the instrument in a jazz recording was by Lionel Hampton in 1930 on “Memories of You” by Louis Armstrong. Legend has it that shortly before this recording, jazz drummer Hampton had come across the instrument at NBC studios, where it was sometimes used to play the network’s distinctive 3-tone identifier chime.
Thirty years after Hampton introduced the instrument, a 17-year-old Burton began his career recording with guitar virtuoso Hank Garland. Here’s a track from that era with Burton right up front. The drummer on this track is Joe Morello, Dave Brubeck’s longtime collaborator.
Here are some pure shots of Burton from 1966 and 2010. Jaw dropping.
And here’s a duet with frequent collaborator Makoto Ozone from 1995. Burton chose Ozone to accompany him on his farewell tour. And if you haven’t had enough, here’s a link to a post from a couple of years ago featuring Burton and another frequent collaborator, Chick Corea.
At the 59th Grammy Awards, airing tomorrow night, the Best New Artist category is quite diverse. There are two new country singers, Maren Morris and Kelsea Ballerini, a DJ duo, The Chainsmokers, who had a hit called “#SELFIE” that has almost a half-billion YouTube views (don’t add one, I warn you), and two hot hip-hop artists, Chance the Rapper and Anderson .Paak.
While he might be a long shot for the Grammy, .Paak’s music is in the hip hop vein I really like. Thanks for the introduction to him, Ben! His arrangements use real instruments, which may owe to .Paak being a very fine drummer himself, melodic vocals, a solid foundation of R&B, and Southern Cali jazz fusion mixed in.
.Paak performed “Am I Wrong” live on French TV about a year ago, and closed the song with an apropos David Bowie tribute.
It didn’t take American TV too long to catch up to the French. Steven Colbert hosted Anderson’s first American TV performance in March of last year.
.Paak produced a video for “Come Down” from his recent album “Malibu” using friends and family from Oxnard, California. And, yes, he apparently honed his drumming skills backing a gospel choir as a kid.
If you want to hear a bit more from .Paak, how many hip hop artists can pull off an NPR Tiny Desk Concert. Forward about 3-1/2 minutes into the set to hear “Heart Don’t Stand a Chance”.
Hip hop artist and actor Yasiin Bey, whom most of us know by his long-time stage name Mos Def, announced last year that he was retiring from music and the screen at age 43. For his final concerts he chose a three-night run this past New Year’s weekend at Washington D.C.’s Kennedy Center. He promises to stay in the arts, and I hope someday he’ll head back to the recording studio.
His entertainment career began as a child actor, with small TV parts, and he’s since appeared in dozens of movies and TV shows. He was nominated for an Emmy and a Golden Globe for his starring role in the HBO movie “Something the Lord Made”, based on the life of Vivien Thomas.
His music career took off with the release of “Mos Def and Talib Kwali Are Black Star” in 1998. Bey’s brand of hip hop was often on the musical side of the genre’s spectrum, and his lyrics were socially conscious and most often playable in polite company. Though not the most famous song from “Black Star”, “K.O.S. (Determination)” is my personal favorite.
A year later he released his major solo debut “Black on Both Sides”. A personal favorite on this album is “Umi says”, any my taste has been validated on this one. President Barack Obama included it on his 2015 summer playlist.
Of course Bey collaborated with many of his hip hop contemporaries, but his global reach may have been broader than many. Here is a nice track from the 2009 album “Soundtrack 2” by Japan’s DJ Deckstream.
Last week’s post included a video from the movie “Another Day, Another Time”. Also performing in that movie was a group that somehow I’d overlooked all this time, the indie-folk duo The Milk Carton Kids.
Kenneth Pattengale and Joey Ryan formed the group in 2011 and have released four albums, the third of which “The Ash & Clay” was nominated for a Grammy. Here they are rehearsing for the movie, playing their song “Snake Eyes” from that Grammy-nominated album. Chris Thile, Marcus Mumford (who wrote a song of the same name) and T Bone Burnett look on appreciatively. Ethan Coen tears up at the end. They’ve been compared to Simon and Garfunkel by some, and they have some deadpan fun with that.
For you Pink Floyd fans, here is a cover of a classic – Kids-style.
You may have picked up that Pattengale is a crazy good guitar picker, and this track from their Austin City Limits concert puts any doubt to rest.
If you’d like to see and hear a bit more, check out their NPR Tiny Desk Concert performance; a perfect setting for The Kids.
Three years ago I happened across the newly formed British band Little Brother Eli (2013 post) while checking out the music blog Read and Hear. The band released an EP that year and has now released a full-length effort “Cold Tales”. The new album features solid rock and roll, as well as some eclectic tracks with deep, bluesy feels. Check out “This Girl” in the rock and roll vein, and the title track to hear the band’s more eclectic side.
Somewhere over the Atlantic I spent a couple of hours sampling the musical offerings of AirFrance’s in-flight entertainment system. Found some crazy things on there (did you know that Hugh Laurie – the “House” guy – sings old blues tunes?) Also came across an engaging song by the French duo “The Dø”. “At Last” is from their first album “A Mouthful” released in 2008. Their most recent release “Shake Shook Shaken” has swapped the guitar for synthesizers and a decidedly more electric sound, as you’ll see on “Anita No!”