It was 50 years ago Friday that Jimi Hendrix died in London, a bit shy of his 28th birthday. Jimi’s rapid rise from obscurity to stardom spanned little more than a year. He had moved to New York in 1966 where Chas Chandler, bass player for The Animals looking for new artists to produce, saw Hendrix playing in a club with his band Jimmy James and the Blue Flames. Chandler brought Hendrix to London in September of that year. Chas was especially taken with Hendrix’s cover of “Hey Joe”, and in December 1966 the song was released as the first single by The Jimi Hendrix Experience, reaching #6 on the UK charts. While Jimi’s fame in Europe was exploding in early 1967, his reputation had not reached the States, that is until he played the Monterey Pop Festival in June of 2017. Here is a clip of The Jimi Hendrix Experience playing “Hey Joe” at Monterey.
The Experience’s set at Monterey is one of the most mesmerizing rock and roll performances ever given. I highly recommend tracking down the documentary by D. A. Pennebaker and Chris Hedges that include the entire set. Here’s the trailer to whet your musical appetite.
A couple of months after Jimi’s death, Yusuf Islam, then known as Cat Stevens, released his breakthrough album Tea for the Tillerman. This past Friday Yusuf released Tea for the Tillerman 2, on which he gives some of the original tracks fresh treatments for their 50th anniversaries. Thanks for the tip, Helga!
One of the most interesting updates is “On the Road to Find Out”. It is not one of his better known songs, so the arrangement and video allow you to approach it as a brand new piece of music. Check out the Tillerman 2 version and a live performance of the original from 1971.
Mickey Guyton was signed to major country music label Capitol Nashville in 2011 and released two EPs: Unbreakable in 2014, and Mickey Guyton in 2015. The latter earned her a nomination for New Female Vocalist of the Year at the 2016 Academy of Country Music awards. But two singles released this year, “Black Like Me” and “What Are You Gonna Tell Her”, both featured on her new EP Bridges that dropped this past Friday, are raising her profile to a new level. She’ll be on stage at the ACM awards this Wednesday to sing “Black Like Me”.
Check out the lyrics video for “Black Like Me” and the video for “Better Than You Left Me”, the featured single from Mickey Guyton. And here’s a link to “What Are You Gonna Tell Her” if you’d like to hear more.
Black women singers are extraordinarily rare in mainstream country music, even more so than their male counterparts. It took a bit of searching to uncover Vicki Vann, who released an eponymous debut album in 2002 and Reckless Heart in 2011. Reckless Heart is chock full of classic country sounds, including the title track, “When You’re Comin’ Down”, and many others.
P.S. Sad news that Toots Hibbert, featured in last week’s blog post, did pass away this past Friday. Reggae and Toots and the Maytals’ music, though, will live on forever.
The Rolling Stones’ deluxe reissue of Goats Head Soup has been out for a few weeks. The album was recorded in Kingston, Jamaica in late-1972, though an article in the magazine Rolling Stone notes, “Jagger jokes that the Stones may be the only band to make an album in Jamaica with ‘not the slightest influence of reggae on any of the tracks.'”
The most notable songs from the reggaeless original album were “Angie” and “Doo Doo Doo Doo Doo (Heartbreaker)”, and an instrumental version of the latter is included on the deluxe reissue. Listen to the familiar original, with its timely first verse, and then the instrumental version. And count the “Doo Doo”s. The song title has five, but to my ear they clearly come in sixes.
While the Stones are re-issuing, legendary Kingston band Toots and the Maytals released a brand new album, Got to Be Tough. The band is credited with introducing the term reggae to the world with their 1968 song “Do the Reggay”.
Rolling Stone has an article on Toots Hibbert in this month’s issue, based on a December 2019 interview. Sad to say that just the other day, though, Hibbert was hospitalized – an apparent COVID-19 victim. Listen to the title track from the new album, to the song that gave reggae it’s name, and pray for Toots.
The documentary Anacostia Delta: The Legacy of DC’s TeleMasters will be released this coming Friday. If you love the electric guitar, get this movie. If you want to see electric guitar played as good as it can be played, get this movie.
Anacostia Delta will clue you in to the careers of the late Danny Gatton, one of his major influences, the late Roy Buchanan, and DC’s rich guitar scene that extends to this very day.
Read my 2013 post on Gatton to see some of his virtuosity. The best there ever was. And enjoy this solo jam pulled from the 1971 documentary Introducing Roy Buchanan, a movie that helped take his career to the next level.
In addition to historical clips, Anacostia Delta is anchored in footage from a 2015 concert at The Birchmere in Alexandria, Virginia (I was there). Here’s a bootleg of a full line up of DC guitar legends playing the jazz standard, “How High the Moon“.
If you want to kick back for awhile and hear more incredible guitar playing, check out this 1993 show featuring Gatton, Albert Lee and Vince Gill. Lee and Gill are two more of the best guitarists ever to walk the planet.
Elvis Costello will release a new album, Hey Clockface, on October 30th. It’s been over 40 years since the release of his first, 1977’s My Aim Is True, and two years since his most recent, 2018’s Look Now. Hey Clockface was mostly recorded in the before times at studios in Helsinki, Paris and New York, though some tracks were assembled in pieces post-quarantine. The different recording locations brought different musicians into the project, promising a wide spectrum of sound for the album’s fourteen tracks.
Costello has already released the three tracks recorded in Helsinki, where he worked on his own, playing all the instruments. All dish up social and political commentary against edgy instrumentals. Here are “No Flag” and “We Are All Cowards Now”.
Thinking back to My Aim Is True, every track was a classic in my book. Here’s a 2011 performance of the romp, “Mystery Dance”, by Elvis and The Imposters.
In an online article in Variety, Costello mentions that while it didn’t work out for Hey Clockface, he’d like to get back together with Nick Lowe at some point. Sounds like more albums to come. “Don’t bury me ’cause I’m not dead yet.”