Sir Elton’s Jewel Box

On November 13th Elton John will release Jewel Box, a 148-song collection of curated selections and previously unreleased material. Jewel Box includes favorite album tracks of Elton’s that were not hits, dozens of demos and unreleased tracks, B-sides of singles that never made it to albums, and a set of songs mentioned in Me, John’s 2019 autobiography. You can find all the details at www.eltonjohn.com.

Two tracks from Jewel Box have been pre-released to whet our appetites. “Sing Me No Sad Songs” is a 1969 demo that never appeared on an album or single, but represents an early Elton John/Bernie Taupin collaboration.

“Regimental Sgt. Zippo” was recorded in 1968 and was to be the title track of Elton’s debut album, but that project was never released. I can’t seem to find who’s responsible for this newly created, but very retro, video.

Elton’s debut album was, rather, 1969’s Empty Sky. It was not released in the U.S., and I’d always thought of his 1970 eponymous album featuring “Your Song” and “On the Border” as his debut – but not so! Jewel Box contains a demo version of “Skyline Pidgeon” from Empty Sky. The song was rearranged years later and appeared on the B-side of the hit “Daniel”. Here is the original version, which was was chosen to play through the closing credits of the 2018 Academy Award winning film The Favourite.

Anacostia Delta: The Legacy of DC’s TeleMasters

The documentary Anacostia Delta: The Legacy of DC’s TeleMasters will be released this coming Friday.   If you love the electric guitar, get this movie.  If you want to see electric guitar played as good as it can be played, get this movie.

Anacostia Delta will clue you in to the careers of the late Danny Gatton, one of his major influences, the late Roy Buchanan, and DC’s rich guitar scene that extends to this very day.

Read my 2013 post on Gatton to see some of his virtuosity.   The best there ever was.  And enjoy this solo jam pulled from the 1971 documentary Introducing Roy Buchanan, a movie that helped take his career to the next level.

In addition to historical clips, Anacostia Delta is anchored in footage from a 2015 concert at The Birchmere in Alexandria, Virginia (I was there).   Here’s a bootleg of a full line up of DC guitar legends playing the jazz standard, “How High the Moon.

If you want to kick back for awhile and hear more incredible guitar playing, check out this 1993 show featuring Gatton, Albert Lee and Vince Gill.   Lee and Gill are two more of the best guitarists ever to walk the planet.

Prince – Four Years Gone

April 21st marked the fourth anniversary of the untimely passing of Prince Rogers Nelson.  I’ve been learning a lot about Prince recently, finishing the 2019 book “The Beautiful Ones” and now part way through the biography “Prince, Inside the Music and the Masks”.   To mark the anniversary the Grammy organization aired a tribute concert on network television this week, filmed in January after the Grammy Awards show.

In the same vein as last week’s post on artists who have made covers their own, I did not know till I watched the TV tribute that the Bangles’ hit “Manic Monday” was penned by Prince.  When the Bangles released the song in 1985, it rose to #2 on the Billboard Hot 100 singles chart, just behind Prince’s “Kiss”.  What we wouldn’t give for a Manic Monday right about now.

Here’s the steamy video from “Kiss”.  The guitarist in the video, Wendy Melvoin, was a member of Prince’s band, The Revolution, at the time.  She performed at the Grammy tribute concert: “Mountains”

When Prince’s early promotor and collaborator, Chris Moon, was trying to get Prince his first record deal in 1976, he called Atlantic Records and told the receptionist he represented Stevie Wonder.  When the receptionist put the call through Moon said, “This is Chris Moon, and I’m representing Prince.  If you like Stevie Wonder, you’re gonna love my artist.  He’s only eighteen, he plays all the instruments …”.   Prince got an audition but not the contract.   That came in 1977 with Warner Records, and Prince released his debut For You in 1978 – playing all the instruments, singing all the vocals, and doing pretty much everything else.  Here’s Prince’s first single from his first album, “Soft and Wet”.

If you want even more Prince, check out my blog post from 2016 featuring his guitar shredding skills.

Roland TR-808 – Iconic Drum Machine

Ikutaro Kakehashi, the founder of Roland Corporation, died on April 1st at the age of 87.  Roland has produced a huge range of electronic musical instruments and effects since its founding in 1972, and Kakehashi developed MIDI, the Musical Instrument Digital Interface that sits at the heart of electronic instrument communication. But no product or invention by Kakehashi and Roland has had more impact on popular music than the TR-808 drum machine.

Manufactured for three years beginning in 1980, the 808 has been used by innumerable artists for nearly 40 years, and it’s said that the 808 is to hip hop what the Fender Stratocaster is to rock and roll.  The 808 was built just before sampling became widespread and produced 16 synthesized approximations to sounds from a bass drum to a handclap.

The first hit record to use the 808 appears to have been Marvin Gaye’s “Sexual Healing” from 1982.   Listen to the opening bars and you’ll immediately recognize the iconic sounds.

Soul Sonic Force’s “Planet Rock”, also from 1982, is credited with cementing the 808 into hip hop’s early vocabulary.

Whitney Houston used the 808 to set the beat for her 1987 hit “I Wanna Dance With Somebody”.

In 2008, Kanye West built his fourth studio album around the sounds of the 808, and even named the album “808’s and Heartbreaks”. The drum loop in “Say You Will” is all 808.

If you want to get the full scoop on this history of this important piece of technology, here is the trailer to “808” the movie!

Let’s Start 2017 With a Trip to Motown to Visit Bob Babbitt

It is oddly prophetic that my last post, four months ago, covered the band Hiatus Kaiyote.  Hiatus indeed!  Well Happy New Year to all, and allow me to begin the year with a trip way back to the early 70’s.

A few months ago I watched the movie “Searching for Sugar Man” for the first time.  Hard to believe it took me so long to see the 2012 Academy Award winner – thanks for the DVD, Margaret!  It’s a great flick if you haven’t seen it, and one little snippet from the movie is the basis for this post.

It seems that on Sixto Rodriquez’s first album “Cold Fact”, which included the track “Sugar Man” from which the movie title was taken, his producer hired some top notch Motown session men to back Sixto’s vocals and guitar.  Among them was bassist Bob Babbitt.

Babbitt was part of The Funk Brothers, studio musicians who backed most of Motown’s hits from 1959 to 1972.   A little research on Babbitt reveals that he played some of the most recognizable bass tracks in history, including those on “Signed, Sealed, Delivered I’m Yours” by Stevie Wonder, “Ball of Confusion (That’s What the World Is Today)” and “Just My Imagination” by the Temptations, “War” by Edwin Starr, “The Tears of a Clown” by Smokey Robinson & the Miracles, “Mercy Mercy Me (The Ecology)” by Marvin Gaye, and many more.  In all he played on more than 200 Top 40 hits including 25 gold and platinum records.

Below is more than my usual number of videos, but turn up the bass and appreciate  Babbitt’s genius.  You’ll wonder what these songs would be without him.

Babbitt passed away in 2012 at age 74, some years after winning a Grammy Lifetime Achievement Award in 2004.  The 2002 documentary on The Funk Brothers, “Standing in the Shadow of Motown” is now on my “to watch” list.