Jaten Dimsdale (aka Teddy Swims) has launched his career the new-fashioned way – posting covers on YouTube. So far it’s earned him over a million YouTube subscribers, over a million Facebook followers, and a record deal with Warner Brothers.
Swims’ voice can genre bend all over the map. I really don’t need to say much except watch these videos to see what this guy can do. If you like what you see, check out teddyswims.com where you can link to pretty much everything he’s got out there.
Here is Swims’ take on “Tennessee Whiskey”, a song covered over the years by George Jones and Chris Stapleton.
On this video of Swims’ original tune, “Broke”, he lends his soulful voice to a playful collaboration with Thomas Rhett – the reigning Entertainer of the Year from the Academy of Country Music 2020 Awards.
And now for something completely different, here’s Teddy throwing down some modern R&B on “Night Off”.
On Friday, Barry Gibb released Greenfields: The Gibbs Brothers’ Songbook (Vol. 1). Barry is the last surviving Gibb brother of the Bee Gees. On Greenfields he reworks a number of Bee Gees hits in collaboration with a who’s who of country music. A lot to get your head around there, but relax – this post isn’t about any of that.
The Bee Gees first major album, Bee Gees’ 1st, was released in 1967 and included “To Love Somebody”. The song was written by Barry and Robin Gibb, intended to be given to Otis Redding to record. But the Bee Gees released it in mid-1967, and Redding never got a chance to cover it before he died at the end of that year. Over the years, though, an incredibly wide range of artists did cover the song, and what a malleable piece of music it has proven to be. Let’s start by watching the Gibb brothers perform the original, decked out in full 1960s splendor.
In 1969 the song got soulful treatments that Redding never got the chance to provide. Nina Simone and Janis Joplin delivered these interpretations that show just how far the song could be stretched.
Nearly 40 years later, Smashing Pumpkins founder Billy Corgan selected the song for his first solo album, TheFutureEmbrace. The album version features Robert Smith of The Cure on backing vocals, but here’s Corgan singing it by himself and delivering a beautiful, hypnotic performance.
Brittany Howard, leader of the band Alabama Shakes, is up for four Grammy Awards this year in four different musical categories. Defying musical categorization is something Howard has done since the beginning of her career, but this year she’s stretched those boundaries even further. Her first solo album, Jaime, was released in September and is up for Best Alternative Music Album. It’s an award Alabama Shakes won as a band in 2016 for Sound & Color.
“Stay High” is nominated for best Rock Performance and Best Rock Song. An early release of the single “History Repeats”, which is included on Jaime, was nominated in this category last year, and these awards were won by Alabama Shakes in 2016 for “Don’t Wanna Fight”.
Brittany is also up for Best American Roots Performance for “Short and Sweet”. This is an award Alabama Shakes won in 2018 for “Killer Diller Blues” from the documentary movie American Epic Sessions. Here’s a solo acoustic version.
Finally, Brittany is up for Best R&B Performance for “Goat Head”. This is Howard’s first nomination in this genre. Here’s a live performance featuring the killer band she’s put together, from the Save Our Stages Festival. The lyrics, which start at about 1:30 are worth the wait.
The documentary Anacostia Delta: The Legacy of DC’s TeleMasters will be released this coming Friday. If you love the electric guitar, get this movie. If you want to see electric guitar played as good as it can be played, get this movie.
Anacostia Delta will clue you in to the careers of the late Danny Gatton, one of his major influences, the late Roy Buchanan, and DC’s rich guitar scene that extends to this very day.
Read my 2013 post on Gatton to see some of his virtuosity. The best there ever was. And enjoy this solo jam pulled from the 1971 documentary Introducing Roy Buchanan, a movie that helped take his career to the next level.
In addition to historical clips, Anacostia Delta is anchored in footage from a 2015 concert at The Birchmere in Alexandria, Virginia (I was there). Here’s a bootleg of a full line up of DC guitar legends playing the jazz standard, “How High the Moon“.
If you want to kick back for awhile and hear more incredible guitar playing, check out this 1993 show featuring Gatton, Albert Lee and Vince Gill. Lee and Gill are two more of the best guitarists ever to walk the planet.
It feels a bit odd to end Friday conversations with “Have a great weekend” these days, with no travel, no restaurants, no bars, no concerts, no sports, and not much else brewing to separate weekend from weekday routines. Hopefully it won’t be long before the weekend resumes its rightful place in the rhythms of our lives.
During a conversation this past Friday, lamenting another weekendless weekend, I was introduced to the O’Jays “Living for the Weekend”. Thanks, Spencer! The song was released in 1976, in the middle of the group’s run of classics. Don’t know why I can’t recall it, but maybe clocking in at over six minutes it didn’t get the air play of “Love Train” or “Use ta Be My Girl”. Let the O’Jays sing you through the entire weekend cycle from Friday pay check to Sunday wind down.
A year after “Living for the Weekend”, Dave Edmunds released “Here Comes the Weekend”. The song was co-written by Dave’s regular collaborator and sometime bandmate Nick Lowe, and only demands your attention for a radio-friendly two minutes. Here’s a nice live version.
Among the goofier weekend homages is “Party Weekend” by Joe King Carrasco and the Crowns from 1980. It has a special place in my heart, though. On Friday afternoons in the 1980s, Jonathan “Weasel” Gilbert – DJ for Washington D.C.’s progressive rock station WHFS – played “Party Weekend” along with “Here Comes the Weekend” to close his Frantic Friday shows. Have a great weekend.