The 2021 Grammy nominations were announced on Tuesday, and rather than the big news being who wasnominated, the buzz has been about who was snubbed. High level – sales and popularity don’t count for much.
Tops on the snub list is The Weeknd. His single “Blinding Lights” from After Hours set a new record for most weeks in Billboard’s top 10, 40, and the video below has been viewed nearly 300 million times on YouTube. Nary a Grammy nom for The Weeknd. Maybe it’s all the blood.
K-pop superstars BTS released their first single in English this year, and the video has been watched 650 million times on YouTube. In fact, the video broke the YouTube record for most concurrent viewers when it debuted – over 3 million. The song earned them their first Grammy nomination, in the Best Pop Duo/Group Performance catagory, but nothing more.
Getting a lot of press today for her negative comments on the Grammy process, Halsey has never been nominated for a Grammy for her own music. Her third studio album Manic, released in January of this year, was her best seller out of the blocks. It includes “Without Me”, her top single of all time that has racked up nearly 500 million views.
A couple of weeks ago the Rock & Roll Hall of Fame inducted its Class of 2020. T. Rex, The Doobie Brothers, Depeche Mode, Nine Inch Nails, Whitney Houston and the Notorious B.I.G. Wow. Let’s sample some of that breadth.
Marc Bolan and T. Rex were credited with launching glam rock, and this video of their biggest hit “Bang a Gong” shows off some satin and glitter in a sea of other 1971 styles. And who’s that sitting in on keyboards? Someone who would set new standards for glam himself, Elton John!
Joan Jett covered T. Rex’s “Jeepster” for the tribute album AngelHeaded Hipster: The Songs of Marc Bolan and T. Rex. The album was released this past September, in time for the band’s Rock Hall induction, and Joan did a pandemic performance on The Late Late Show to show it off.
Depeche Mode got off the ground with their first U.K. top ten hit “Just Can’t Get Enough” in 1981. In 1984 they achieved their greatest single hit, “People Are People”, and 1989’s Violator was their masterpiece and top charting album. Here’s a video of “People Are People” and Johnny Cash’s cover of Violator’s “Personal Jesus”.
Whitney Houston scored three #1 singles from her eponymous 1984 debut album, including “How Will I Know” with a synth intro worthy of a Depeche Mode track.
One of the best selling singles of all time was Whitney’s “I Will Always Love You” recorded for the movie The Bodyguard. The song was written and recorded by Dolly Parton nearly 20 years earlier. Since Whitney’s soaring chorus is burned into your memory, here’s Dolly’s original.
A friend and reader turned me on to a great musical arc that is right in Music Now & Then’s wheelhouse. Thanks, David!
In 1964, Motown singer Gloria Jones recorded “Tainted Love”. The song was a B-side and didn’t get much attention (nor did the A-side), but in the early 1970’s it started to turn up in British “Northern Soul” dance clubs.
Marc Almond, half of the synthpop duo Soft Cell, heard the song in such a club and made it part of Soft Cell’s live sets after the group formed in 1977. When Soft Cell released the song as a single in 1981, it catapulted the band to fame. It was a No. 1 hit in 17 countries (No. 8 in the U.S.), and spent a then record 43 weeks in the top 100.
The song was later covered by an unlikely collection of musical acts ranging from Marilyn Manson to Pussycat Dolls. Check out this article for a sampling. The Soft Cell version was also the driving sample for Rihanna’s first #1 single in the U.S., “SOS”, released in 2006. Believe it or not, this video has been viewed 115 million times.
If you have another five minutes, hear the story of “Tainted Love” as told by Gloria Jones herself, and learn about her relationship with one of last week’s 2020 Rock & Roll Hall of Fame inductees.
They say that Rock is dead, but don’t tell that to the bands that have been in the game for decades and are still delivering new music.
At it for thirty years, with three of four original band members on board, Smashing Pumpkins will release their eleventh studio album, Cyr, on Black Friday. The thick guitars of their earliest hits like “Cherub Rock” have been replaced by synths, but Billy Corgan’s voice is as distinctive as ever. Here’s the music video from the album’s title track.
Foo Fighters formed in 1995, after the release of the album Foo Fighters on which Dave Grohl played every instrument on every track, save guitar on one song. Grohl has been a standard bearer for guitar rock, from the first track of that first album “This is a Call”, to “Shame” performed for the first time on Saturday Night Live last night.
Though founding member Malcolm Young passed away in 2017, brother Angus, long-time lead singer Brian Johnson, and original drummer Phil Ruud, will release Power Up this week, with tracks that sound like they were made in their early days. Here is “Shot in The Dark”, the first song released form the new album.
Top of the heap of artists who still bring the rock and roll is “The Boss”, Bruce Springsteen. Letter to You was released on October 23rd and it made Bruce the first artist to have a top 5 album in 6 consecutive decades. The title track has gotten a lot of airplay in the past few weeks, but here is the second video released from the album, “Ghosts”, that is vintage E-Street Band. You know you want to see this live!
My last post was about Elton John’s Jewel Box collection due out in two weeks, but this past Friday Joni Mitchell beat him to the market with a 5-disk box set of her own. Joni Mitchell Archives Vol. 1: The Early Years (1963-1967) features her very earliest recordings and wraps up before the release of her first album, 1968’s Song to a Seagull.
Rolling Stone has a nice article on the box set that links to an August 1965 recording of Joni’s first original composition, “Day After Day”. Joni had been singing folk songs in cafes in her native Calgary, and this song, her vocals and guitar playing sound very much born out of that background.
Less than two years later, in March 1967, Joni recorded this performance of “Both Sides Now”. It was not long after Mitchell had written the song and about the same time Judy Collins released her Grammy Award winning version. Witness Mitchell’s rapid evolution as a writer, lyricist, singer, and musician with a unique style as you compare this performance to “Day After Day”.
Apologies to Joni for bringing up Elton John twice in her post, but since announcing his Jewel Box collection, Sir Elton put out a really special recording not included in that set. “Come Down in Time” from Tumbleweed Connection, an album celebrating its 50th anniversary this year, is a personal favorite. This jazz version apparently was recorded before the album version, and it features an extended jazz improvisation.