Phil Ramone – Pioneering Record Producer

Record producers and engineers are rarely well known.  Phil Ramone may not be top of mind when you think of important music personalities of the last 50 years, but his influence is revealed in his obituaries that ran today – he passed away on March 30th at age 79.  The range of musicians he contributed his talents to is amazing – spend a few minutes reading through his discography here (Phil Ramone Discography) and rummage around his website to learn more.

Among his recent efforts was producing Amy Winehouse’s last recording, “Body and Soul”, sung with Tony Bennett for his “Duets II” album (the song won a Grammy for Best Pop Duo or Group Performance).  Among his first efforts was the record that started the Bossa Nova jazz craze in America, “Getz/Gilberto”, featuring the iconic “The Girl From Ipanema” (the album won multiple Grammys including Album of the Year in 1965).

In 1978 Ramone produced Billy Joel’s “52nd Street”. Another Album of the Year, this one in 1980, it was the first album commercially released on CD. Remember the CD?

Here’s a video of “Honesty” from “52nd Street”

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Jazz Greats Play for All the Lonely People

We also like jazz at Music Now & Then – hope you do too.

In 2012 Chick Corea and Gary Burton released “Hot House”, marking 40 years of collaborations by the two jazz legends. Two tracks on the album won 2013 Grammys, “Mozart Goes Dancing” for Best Instrumental Composition and the title track for Best Improvised Jazz Solo.

The album also includes a cover of the Beatles classic “Eleanor Rigby”.  The song has been covered (and more recently sampled) by countless artists since its release in 1966, but it’s been a special favorite of jazz artists through the years.  In addition to Chick and Gary’s version, check out Stanley Jordan’s interpretation from his 1985 album “Magic Touch”.  Jordan’s unusual two-hand tapping technique makes his performance sound like the work of more than one musician.

If you like your jazz more in the classic vein, listen to Wes Montgomery’s cover released in 1967.  It’s from his album “A Day in the Life” – yes, another Beatles cover – that reached #1 on the Billboard Jazz Album chart that year.

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