Our Beatles Homage – “And I Love Her”

Over the past few weeks the Beatles have been celebrated and remembered as the 50th anniversaries of their Ed Sullivan Show appearance and first U.S. concerts were observed.  So, we’ve got to do our Beatles homage too!

Thanks to Dave for turning us on to this clip from the Late Show with David Letterman featuring Broken Bells covering “And I Love Her”. The ballad is from the Fab Four’s third album “A Hard Day’s Night”.  The TV set featuring Ringo Starr’s drumming is a cute idea.

But wait, that TV set may be more than just a cute idea.  I’m guessing that Danger Mouse and James Mercer saw this video as they planned their staging. It’s a clip from the movie “A Hard Day’s Night”.

This beautiful song was covered by many, many artists over the years. Here’s an interesting cover from the late jazz legend Sarah Vaughn taped in 1969. She recorded a totally different arrangement of the song on a 1981 album of Beatles covers.

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Reader Suggestions: Jake Shimabukuro, Melody Gardot, and The Shouting Matches

Time to catch up on reader recommendations.

First up is Jake Shimabukuro, ukulele virtuoso.  Below is a video of his interpretation of George Harrison’s “While My Guitar Gently Weeps”.  Apparently, this video was posted in 2006 without Jake’s knowledge and went viral, by now attracting over 12,000,000 views. If you want to see Jake stretch this instrument into other genres of music, spend some time watching this TED Talk. After a flamenco tune, Schubert’s “Ave Maria” starts at about 5:30 and The Beatles’ “In My Life” at about 18:00. Thanks for the tip, John!

Philadelphia’s Melody Gardot has an incredible voice and an incredible personal story. Severely injured when she was hit by a car while riding a bicycle at age 19, she faced a long rehabilitation. In the video below she sings her composition “Baby I’m a Fool” accompanying herself on the guitar, an instrument she took up in the hospital when her injuries made it impossible to sit at the piano. If you want to hear more of her singing and learn more about her story, here are links to Part 1 and Part 2 of a mini-documentary, “The Accidental Musician”. Thanks for letting us know about her, Claudine!

Shifting gears, The Shouting Matches stake out a spot in a stripped down, bluesy, garage rock place. The trio, led by singer and multi-instrumentalist Justin Vernon, has put out an EP “Mouthoil” and a full length 2013 release “Grownass Man”. Vernon’s former vehicle, Bon Iver, won the 2012 Grammy for Best New Artist. Listen to “Avery Hill” from The Shouting Matches, and compare it to “Holocene” from Bon Iver to get a sense of the range of Vernon’s musical interests. Thanks for turning us on to The Shouting Matches, Gabe!

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Going Way Back With That Eminent Hipster, Donald Fagen

Just in time for the recent holidays, Donald Fagen published his memoir “Eminent Hipsters”.   The book’s first chapter introduces us to one of his earliest musical influences, The Boswell Sisters.   Fagen lauds them saying, “…when I became familiar with the early work of Connie and her two sisters, I discovered that the Boswells had created a body of work rivaling that of Duke Ellington”.  High praise to say the least.

One Boswells song that Fagen discusses is “Heebie Jeebies”, a tune originally recorded by Louis Armstrong and His Hot Five in 1926 and covered by The Boswell Sisters in 1929.   Below are the original by Armstrong and the Boswells’ version, with their tight harmonies and brisk rhythms. By the way, while of questionable historical accuracy, the Armstrong version is sometimes cited as the first scat singing on record (it comes at about 1:50).

Lest you worry that Fagen’s effusive tribute to The Boswell Sisters evidences any lack of respect for Duke Ellington, Steely Dan’s third album “Pretzel Logic” included a cover of Ellington’s first record to make the charts “East St. Louis Toodle-Oo”. Here is Ellington’s original from 1927 featuring the song’s co-writer, trumpeter Bubber Miley, and Steely Dan’s 1974 cover with guitar wizard Jeff Baxter’s imitation of a muted trumpet.

http://www.youtube.com/watch?v=T_k7fFogGfs

And here’s one more nod by Fagen to the Duke. Fagen’s most recent solo album, 2012’s “Sunken Condos”, featured the track “Weather in My Head”. When Fagen played the tune live on “Late Night with David Letterman”, what was that photo on the front of his electric piano? None other than the Duke and his orchestra!

http://www.youtube.com/watch?v=DznqCMpcQxQ

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The Kennedy Center Honors – 2038

2013 Kennedy Center Honors were presented to music legends Herbie Hancock, Carlos Santana and Billy Joel last night in Washington, D.C.   The Awards are in their 36th year and have done a pretty good job of honoring artists of truly monumental lifetime achievements.  In the Awards’ early years the Kennedy Center recognized Ella, Sinatra, and Count Basie and in more recent years Dylan, Springsteen, Stevie Wonder, Elton John, Brubeck, McCartney, Brian Wilson, and James Brown.

So, who might they be honoring 25 years from now?  What musical artists are on a trajectory to possibly stand in that company?  Looking at this year’s awardees who range in age from their mid-60’s to mid-70’s and who made their first musical marks 40 to 50 years ago, we need to think of artists currently between their mid-30’s and mid-40’s who have already been at it for 15 years or more.  Being a bit parochial and limiting the possibilities to musicians featured on this blog, here are our predictions for the 2038 Kennedy Center Honors.

Alison Krauss should definitely be there.  She’ll be 67 by then, and we hope will still have her pure, angelic voice.  She might not need to make one more recording to be viewed as one of the best and most influential artists of her time. She’s already won 27 Grammy Awards and countless country music awards. Here’s a cover of a pop tune from the Queen of Bluegrass.

Dave Grohl will be 69, bringing a legacy that already includes Nirvana, the Foo Fighters, drummer of choice for pretty much everyone, and documentary filmmaker. Here’s Dave practicing for 2038 by making nice at the White House. Things start to rock at about 3:00.

http://www.youtube.com/watch?v=BgPMiAaelFc

Jack White will be a 63-year old in 2038.  In addition to his recent solo work, he’s led The White Stripes, The Raconteurs, and The Dead Weather, but his greatest musical legacy may be the work he’s doing at his Third Man Records – preserving American roots music and developing new artists.  White has produced albums for country icon Loretta Lynn, rockabilly pioneer Wanda Jackson, and rock and roll legend Jerry Lee Lewis. Here’s another side of Jack, performing a duet with Alicia Keys of the theme song he wrote for the 2008 Bond movie “Quantum of Solace”.

http://www.youtube.com/watch?v=Y5roe2nmBfs

In case you want to hang around for a few more minutes and sample the early works of the honorees of 2013, here are the first songs that made Herbie, Carlos and Billy famous. And, oh yeah, please feel free to comment with your picks for the 2038 Kennedy Center Honors.

http://www.youtube.com/watch?v=p4ASTMFN-h4

Holiday Music Buying – Best of the New and Old

Now that Thanksgiving is in the rear view mirror, it’s fair to turn attention to holiday gifts.   In this era of downloads and Pandora, if you still enjoy the quaint custom of giving music to family and friends, here are some recommendations from the albums we’ve featured over the past year.

Among new albums, Daft Punk’s “Random Access Memories”, Jake Bugg’s eponymous April release, and “The Colonel & The Governor” by Tommy Emmanuel and Martin Taylor are three superb choices.

Daft Punk weaves together a wide variety of influences and pulls in musicians like Omar Hakim and Nile Rodgers to add touches that can’t be synthesized.  “Random Access Memories” needs to be played a few times through to fully appreciate, but the investment of time is well worth it.

Jake Bugg’s eponymous album features a great set of songs ranging from raw rockers to soft acoustic ballads.    And Bugg is not resting on his laurels – he’s just released his second album this year, “Shangri La”.

“The Colonel & The Governor” is an exceptional instrumental jazz album from start to finish.  Two masterful musicians, complementing each other beautifully, on classic songs.

If you’d like to dig back into history and help round out a friend’s collection of classic albums, “Getz/Gilberto”, the groundbreaking Bossa Nova album, “Blue” by Joni Mitchell, and Stevie Wonder’s “Inner Visions” can’t be beat.

“Getz/Gilberto” introduced America to “The Girl from Ipanema” and many other Bossa Nova classics.  The mellow voices of Joao and Astrud Gilberto combined with Getz’s breathy sax are as intoxicating today as they were fifty years ago.

Joni Mitchell’s “Blue” includes many of her classic tunes as well as lesser known gems.  It’s a perfect album from start to finish – no filler. “River” is worth adding to your play list of sad, sentimental Christmas songs.

Stevie Wonder is – well – Stevie Wonder, and in a career of brilliance “Inner Visions” may the best of the best. The first track, “Too High”, features his trusty harmonica work and a great bass hook.

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